Regional Feature- Parco Dei Mostri (Bomarzo)

 This ‘spot’ is not the easiest to reach without a mode of private transportation, but there are options. First, if you have a car, the drive is about 1 hour and 15 minutes from Rome, but you can also take the train from Roma Termini to the Attigliano-Bomarzo station and then a taxi which is estimated to be between 14-20 euros. (It seems like there are unofficial taxis who make ‘runs’ from the station to the park, so I would negotiate the price before starting the journey and do not pay over 20 euro.) There is also a bus from Viterbo which takes about 25 minutes. Viterbo is another compelling city in Lazio, worthy of a day trip, but it did not quite make my top 10 list. Still, you could combine a trip to Viterbo with the Parco Dei Mostri, if it suits your needs. Once you do arrive, be prepared for a surreal experience. In fact, the great Surrealist Salvador Dali was so inspired by the park that he shot a film here.

Read about the history to enhance your experience before it comes to life. Knowing the unique history of this place enhances the strange experience in my opinion. Here are the essentials: The ‘park’ (also referred to as the Sacro Bosco meaning ‘sacred grove’)  was commissioned by Pier Francesco Orsini, who is also known as Vicino. He was a wealthy condottiero (contractor) by profession and he now is remembered as a great patron of the arts. The origin of the park, commissioned in the mid 16th century (some sources claim 1552, specifically) Orsini hired the acclaimed architect Pirro Ligorio to carry out his ‘monstrous’ plans. His impetus for creation can be considered Romantic, in that, supposedly, Orsini created the Parco Dei Mostri in a state of grief after the passing of his dear wife, Giulia Farnese. (This family name might seem familiar; the Farnese family was very powerful and another Giulia Farnese, her maternal grandmother, was the mistress of the scandal ridden Pope Alexander VI, of the Borgia fame.) The park features massive sculptures which were created in the Mannerist (late Renaissance) style. Mannerism is known for exaggerating and distorting the perfect harmony of classical Renaissance forms. ‘Unnatural’ and ‘grotesque’ are appropriate adjectives to describe the Mannerist style. One of the first and best examples in painting is Michelangelo’s Last Judgement fresco in the Sistine Chapel. Not to move too far away from the park at hand, but if you observe these forms, you will see there are massive hulking nudes; differently proportioned from the earlier classical Renaissance figures pictured on Michelangelo’s ceiling fresco with the scenes from the book of Genesis.

Hercules fighting with the monster Cacus

Hercules fighting with the monster Cacus

Back to the park. One of the first large Mannerist sculptures you will observe as you descend into Orsini’s uncanny world is a great Greek god Hercules fighting with the monster Cacus, “who is shown here screaming and upside down” , according to Manuel Cohen’s website.

In addition to other recognizable figures from classical mythology, Proteus, Aphrodite, Cerberus, there are other natural and mythical animals coexisting in this 16th century surreal context. There are turtles, bears and whales with nymphs and dragons to name a few.

Mythical surprises at every turn in the Parco

Mythical surprises at every turn in the Parco

Sculpture of Proteus Glaucus, very near the entrance to the Parco Dei Mostri

Sculpture of Proteus Glaucus, very near the entrance to the Parco Dei Mostri

Hit the highlights of the park. I do recommend wandering and rather spontaneously taking in the peculiar sites as you encounter them. I think what makes the experience truly ‘surreal’ is to be constantly reminding yourself that this was created in the 16th century, over 400 years ago.  You will be given a general map of the park with your admission that costs 11 euros for adults over 13. Observe the many mythical, shocking sculptures as you meander through, but be sure to hit these highlights. The first important sculpture you will see is the “huge sculpture of Proteus Glaucus.” Find out more here.

the ‘Casa Pendente’ or leaning house

the ‘Casa Pendente’ or leaning house

Don’t miss the ‘Casa Pendente’ or leaning house. After using mostly the sense of sight to experience the wonders of the bosco, your sensory perception will be further distorted by stepping inside this ‘casina’.

Finally, often considered the ‘pièce de résistance’ is the menacing looking Orcus with a wide-open mouth, featured in the cover photo for this post. You will find cryptic inscriptions throughout the park, but this one is the most famous and photographed. Ogni pensiero vola (All thoughts fly) is carved in red letters on the upper lip (and entrance way). You can enter the ‘mouth’ and the space becomes an echo chamber, into which, indeed, all thoughts fly. The website Slow Italy aptly points out that because there is a dining table inside, “one can both eat inside and be eaten by it.”

A drive through the town of Bomarzo, on the way to the Parco Dei Mostri

A drive through the town of Bomarzo, on the way to the Parco Dei Mostri

Drive or walk through the actual town of Bomarzo; it has an eerie feel. A few of the regional features I recommend in Lazio have this medieval village meets ghost town feel, namely, Calcata and Civita di Bagnoregio. Bomarzo feels this way on a smaller scale, but it is still fascinating to observe from the outside and experience from the inside. There are not even many restaurants to choose from in Bomarzo; were I to return, however, I would eat at Il Quadrifoglio. Google reviews are solid (over 4 stars) for a no frills and casereccio (homemade) dining experience featuring typical foods from the region, mushrooms and truffles with ‘arrosti’ (roasted meats).

Not an ‘official’ or very professional website for the Parco Dei Mostri, but this is the closest thing.

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